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16mm feature WHEN WORLDS COLLIDE - George Pal Science fiction feature

$ 41.71

Availability: 34 in stock
  • Leading Role: Already in description
  • Modified Item: No
  • Director: Hollywood director
  • Actor: Hollywood performers
  • Return shipping will be paid by: Buyer
  • Sub-Genre: Aliens
  • All returns accepted: Returns Accepted
  • Condition: ABOUT THE PRINT - This is another “sepia Halloween” Eastman print that offers a good picture if you don’t mind the faded Eastman stock. It is full screen and not wide screen. No major lines or spliced problems. No V.S. detected. Vg-Ex shape overall.
  • Country/Region of Manufacture: United States
  • Refund will be given as: Money Back
  • California Prop 65 Warning: sxrewCApolitics(alsoNY)
  • Special Features: Color
  • Rating: NR
  • Film Format: 16mm
  • Restocking Fee: No
  • Movie/TV Title: Hollywood production
  • Genre: Sci-Fi & Fantasy
  • Item must be returned within: 14 Days

    Description

    Offered her is George Pal's production of "WHEN WORLDS COLLIDE" (1951)
    Synopsis by Hal Erickson
    First published in 1932, Philip Wylie and Edwin Balmer's speculative novel “When Worlds Collide” was immediately purchased by Paramount as a possible project for director Cecil B. DeMille. But because none of Paramount's scriptwriters were able to come up with an adequate screen treatment, the property lay on the shelf until 1950, when producer George Pal was casting about for a follow-up to his successful sci-fier “Destination Moon”. Though the film was top-heavy with special effects, Pal was able to bring “When Worlds Collide” in for under a million dollars, thanks to an inexpensive cast and a heavy reliance upon stock footage. The story is set in motion when Dr. Cole Henderson (Larry Keating) announces that a extraterrestrial planet is on a collision course with the Earth. No one believes Henderson's story, save for crippled financier Stanton (John Hoyt), who finances the construction of a gigantic spaceship, built for the purpose of transporting selected survivors from the doomed Earth to another Earth-like planet. As it becomes obvious that Henderson's predictions will come true, a worldwide lottery is held to select those people who will be rescued from oblivion by Stanton's spaceship. In the climactic scenes, the worlds do indeed collide, with appropriately spectacular results. But will the spaceship, overloaded with humanity, be able to take off and seek out a Brave New World? Amidst the thrills, a romantic triangle emerges, involving Richard Derr, Barbara Rush and Peter Hanson.
    Review by Mike Cummings courtesy all movie.com
    Even though the acting in this 1951 production is mostly average, the film is nonetheless praiseworthy for its special effects and lickety-split pacing. From the opening scene to the last, the film races along as scientists scramble to cope with the ultimate disaster -- the end of the world.
    Legendary special-effects guru George Pal dots the sky with an ominous speck that soon burgeons into a great fireball -- a sun-sized body called Bellus -- as it hurtles toward earth. As civilization awaits doom, calendars display only one image -- the number of days remaining before impact. Americans work day and night to construct a rocket ship, a modern Noah's ark, to transport a lucky few to a new planet, Zyra, that will pass Earth just before the collision.
    The final scenes of the film stretch nerves as the sky reddens and a desperate mob storms the ship. Actors Richard Derr, Barbara Rush, John Hoyt, and Larry Keating play the principal roles with yeomanly competence, but the script is not strong enough to allow them to wax poetic or philosophical.
    The real star here, besides Bellus, is George Pal. Born in Hungary, Pal migrated to the U.S. after Hitler's rise to power and learned rocketry basics after befriending German immigrant scientists Willey Ley and Wernher von Braun. He used this knowledge to build the film's spaceship, a rocket that fires up in a horizontal position on a ramp. As the rocket gains speed, the ramp rises like a roller coaster. Artist Chesley Bonestell, who illustrated space scenes for scientists and writers and contributed to Life magazine, helped Pal create his special effects.
    ABOUT THE PRINT - This is another “sepia Halloween” Eastman print that offers a good picture if you don’t mind the faded Eastman stock. It is full screen and not wide screen. No major lines or spliced problems. No V.S. detected. Vg-Ex shape overall. It is almost impossible to find an I.B. or a LPP print of this early sci-fi classic.
    Remember, as soon as you pay ebay (not me), they allow me to print the shipping label. Then, I can ship right away to you without delay.
    INTERNATIONAL BUYERS - You must be a member of ebay's International shipping program or I won't be able to complete the sale. I ship to ebay in Kentucky and they take over all tracking and costs from there. I don't ship direct since there is no way to track a package once it leaves the U.S. borders (what's left of them!). Big Bro Ebay can.